In the past, Apple has said John Lennon was her god, and she wrote lyrics and melodies on par with the finest pop songs ever recorded. It creates a wild symphony of the everyday. (At least five dogs are credited: Mercy, Maddie, Leo, Little, and Alfie.) All of this debris orbits around the core of Appleās music: her voice, her piano, and most of all her words, which have always been her primary instrument. Fetch the Bolt Cutters seems to almost completely turn the volume down on music history, while it cranks up raw, real life-handclaps, chants, and other makeshift percussion, in harmony with space, echoes, whispers, screams, breathing, jokes, so-called mistakes, and dog barks. Self-reliance is its rule, curiosity is its key. Apple recorded Fetch the Bolt Cutters both in and with her Venice Beach home, banging on its walls, stomping on its ground.
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